3d Paper Art Collage Ideas for a Kids Room

Technique of art production using assemblage of different forms

Not to be dislocated with College.

Collage (, from the French: coller, "to glue" or "to stick together";^[1]) is a technique of fine art cosmos, primarily used in the visual arts, merely in music too, by which fine art results from an assemblage of different forms, thus creating a new whole. (Compare with pastiche, which is a "pasting" together.)

A collage may sometimes include mag and newspaper clippings, ribbons, paint, bits of colored or handmade papers, portions of other artwork or texts, photographs and other found objects, glued to a piece of newspaper or sheet. The origins of collage can exist traced dorsum hundreds of years, but this technique made a dramatic reappearance in the early on 20th century as an art form of novelty.

The term Papier collé was coined by both Georges Braque and Pablo Picasso in the outset of the 20th century when collage became a distinctive role of modernistic art.^[2]

History [edit]

Early precedents [edit]

Techniques of collage were kickoff used at the time of the invention of paper in China, around 200 BC. The use of collage, however, wasn't used by many people until the 10th century in Japan, when calligraphers began to apply glued newspaper, using texts on surfaces, when writing their poems.^[3] Some surviving pieces from this style are found in the drove of Nishi Hongan-ji— many volumes of the Sanju Rokunin Kashu.

The technique of collage appeared in medieval Europe during the 13th century. Gold leaf panels started to be practical in Gothic cathedrals effectually the 15th and 16th centuries. Gemstones and other precious metals were applied to religious images, icons, and likewise, to coats of arms.^[3] An 18th-century example of collage art tin exist found in the work of Mary Delany. In the 19th century, collage methods as well were used among hobbyists for memorabilia (e.g. practical to photo albums) and books (e.g. Hans Christian Andersen, Carl Spitzweg).^[3] Many institutions have attributed the beginnings of the practise of collage to Picasso and Braque in 1912, however, early on Victorian photocollage suggest collage techniques were skilful in the early 1860s.^[iv] Many institutions recognize these works as memorabilia for hobbyists, though they functioned every bit a facilitator of Victorian aloof commonage portraiture, proof of female erudition, and presented a new mode of creative representation that questioned the manner in which photography is truthful. In 2009, curator Elizabeth Siegel organized the exhibition: Playing with Pictures ^[5] at the Fine art Institute Chicago to admit collage works past Alexandra of Denmark and Mary Georgina Filmer among others. The exhibition later on traveled to The Metropolitan Museum of Art^{[half dozen]} and The Art Gallery of Ontario.

Collage and modernism [edit]

Hannah Höch, Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany, 1919, collage of pasted papers, 90x144 cm, Staatliche Museum, Berlin.

Despite the pre-twentieth-century use of collage-like application techniques, some art authorities argue that collage, properly speaking, did not emerge until later on 1900, in conjunction with the early on stages of modernism.

For example, the Tate Gallery'southward online art glossary states that collage "was first used every bit an artists' technique in the twentieth century".^[7] According to the Guggenheim Museum's online fine art glossary, collage is an artistic concept associated with the beginnings of modernism, and entails much more than than the idea of gluing something onto something else. The glued-on patches which Braque and Picasso added to their canvases offered a new perspective on painting when the patches "collided with the surface plane of the painting".^[viii] In this perspective, collage was part of a methodical reexamination of the relation between painting and sculpture, and these new works "gave each medium some of the characteristics of the other", co-ordinate to the Guggenheim essay. Furthermore, these chopped-up bits of paper introduced fragments of externally referenced meaning into the standoff: "References to current events, such equally the state of war in the Balkans, and to popular culture enriched the content of their fine art." This juxtaposition of signifiers, "at once serious and tongue-in-cheek", was fundamental to the inspiration behind collage: "Emphasizing concept and procedure over end production, collage has brought the incongruous into meaningful congress with the ordinary."^[8]

Collage in painting [edit]

Collage in the modernist sense began with Cubist painters Georges Braque and Pablo Picasso. Snippets and fragments of unlike and unrelated subject matter made upward Cubism collages, or papier collé, which gave them a deconstructed form and appearance.^[nine] According to some sources, Picasso was the first to use the collage technique in oil paintings. According to the Guggenheim Museum'southward online article about collage, Braque took up the concept of collage itself before Picasso, applying information technology to charcoal drawings. Picasso adopted collage immediately after (and could be the beginning to utilize collage in paintings, equally opposed to drawings):

"It was Braque who purchased a roll of false oak-grain wallpaper and began cutting out pieces of the paper and attaching them to his charcoal drawings. Picasso immediately began to make his ain experiments in the new medium."^[8]

In 1912 for his Still Life with Chair Caning (Nature-morte à la chaise cannée),^[ten] Picasso pasted a patch of oilcloth with a chair-cane pattern onto the canvas of the piece.

Surrealist artists have fabricated extensive use of collage and accept swayed abroad from the yet-life focus of Cubists. Rather, in keeping with surrealism, surrealist artists such as Joseph Cornell created collages consisting of fictional and strange, dream-similar scenes.^[9] Cubomania is a collage made by cutting an image into squares which are then reassembled automatically or at random. Collages produced using a similar, or maybe identical, method are called etrécissements by Marcel Mariën from a method beginning explored by Mariën. Surrealist games such every bit parallel collage employ collective techniques of collage making.

The Sidney Janis Gallery held an early Pop Art showroom called the New Realist Exhibition in November 1962, which included works by the American artists Tom Wesselmann, Jim Dine, Robert Indiana, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, and Andy Warhol; and Europeans such as Arman, Baj, Christo, Yves Klein, Festa, Mimmo Rotella, Jean Tinguely, and Schifano. It followed the Nouveau Réalisme exhibition at the Galerie Rive Droite in Paris, and marked the international debut of the artists who soon gave ascension to what came to be called Pop Fine art in United kingdom and The United States and Nouveau Réalisme on the European continent. Many of these artists used collage techniques in their work. Wesselmann took part in the New Realist testify with some reservations,^[11] exhibiting two 1962 works: Still life #17 and Still life #22.

Another technique is that of canvass collage, which is the awarding, typically with glue, of separately painted sail patches to the surface of a painting's main canvas. Well known for utilise of this technique is British artist John Walker in his paintings of the tardily 1970s, simply canvas collage was already an integral part of the mixed media works of such American artists every bit Conrad Marca-Relli and Jane Frank by the early 1960s. The intensely self-critical Lee Krasner likewise frequently destroyed her ain paintings by cutting them into pieces, only to create new works of art past reassembling the pieces into collages.

Collage with wood [edit]

What may be called woods collage is the dominant feature in this 1964 mixed media painting past Jane Frank (1918–1986)

The forest collage is a type that emerged somewhat later than paper collage. Kurt Schwitters began experimenting with forest collages in the 1920s after already having given up painting for paper collages.^[12] The principle of wood collage is clearly established at least every bit early as his 'Merz Picture with Candle', dating from the mid to tardily 1920s.

In a sense, wood collage made its debut indirectly at the aforementioned time as paper collage, since according to the Guggenheim online, Georges Braque initiated employ of newspaper collage by cutting out pieces of simulated oak-grain wallpaper and attaching them to his own charcoal drawings.^[8] Thus, the idea of gluing wood to a motion-picture show was implicit from the commencement, since the paper used was a commercial product manufactured to await like wood.

Information technology was during a xv-twelvemonth menstruum of intense experimentation beginning in the mid-1940s that Louise Nevelson evolved her sculptural woods collages, assembled from found scraps, including parts of piece of furniture, pieces of wooden crates or barrels, and architectural remnants similar stair railings or moldings. Mostly rectangular, very large, and painted black, they resemble gigantic paintings. Concerning Nevelson's Sky Cathedral (1958), the Museum of Modern Art catalogue states, "As a rectangular plane to be viewed from the front, Heaven Cathedral has the pictorial quality of a painting..."^{[13] [fourteen]} All the same such pieces besides present themselves as massive walls or monoliths, which can sometimes be viewed from either side, or fifty-fifty looked through.

Much wood collage art is considerably smaller in scale, framed and hung as a painting would be. It ordinarily features pieces of wood, wood shavings, or scraps, assembled on a sail (if in that location is painting involved), or on a wooden board. Such framed, picture-like, wood-relief collages offer the artist an opportunity to explore the qualities of depth, natural color, and textural variety inherent in the fabric, while drawing on and taking advantage of the language, conventions, and historical resonances that arise from the tradition of creating pictures to hang on walls. The technique of woods collage is also sometimes combined with painting and other media in a single work of art.

Frequently, what is called "wood collage fine art" uses but natural wood - such as driftwood, or parts of establish and unaltered logs, branches, sticks, or bawl. This raises the question of whether such artwork is collage (in the original sense) at all (see Collage and modernism). This is considering the early on, paper collages were generally made from $.25 of text or pictures - things originally made by people, and functioning or signifying in some cultural context. The collage brings these nonetheless-recognizable "signifiers" (or fragments of signifiers) together, in a kind of semiotic collision. A truncated wooden chair or staircase newel used in a Nevelson work can also be considered a potential chemical element of collage in the same sense: information technology had some original, culturally determined context. Unaltered, natural wood, such every bit one might notice on a wood floor, arguably has no such context; therefore, the feature contextual disruptions associated with the collage idea, as it originated with Braque and Picasso, cannot really accept place. (Driftwood is of class sometimes cryptic: while a piece of driftwood may in one case have been a piece of worked wood - for case, part of a ship - it may be so weathered by common salt and body of water that its past functional identity is nearly or completely obscured.)

Decoupage [edit]

Decoupage is a type of collage commonly divers as a craft. It is the procedure of placing a picture into an object for ornament. Decoupage can involve adding multiple copies of the aforementioned image, cut and layered to add apparent depth. The film is oftentimes coated with varnish or some other sealant for protection.

In the early office of the 20th century, decoupage, like many other art methods, began experimenting with a less realistic and more abstract style. 20th-century artists who produced decoupage works include Pablo Picasso and Henri Matisse. The about famous decoupage work is Matisse's Blue Nude II.

There are many varieties on the traditional technique involving purpose made 'glue' requiring fewer layers (often 5 or 20, depending on the corporeality of newspaper involved). Cutouts are also applied nether glass or raised to give a three-dimensional appearance co-ordinate to the desire of the decouper. Currently decoupage is a popular handicraft.

The craft became known as découpage in France (from the verb découper, 'to cutting out') as it attained great popularity during the 17th and 18th centuries. Many advanced techniques were developed during this time, and items could take up to a year to complete due to the many coats and sandings applied. Some famous or aristocratic practitioners included Marie Antoinette, Madame de Pompadour, and Boyfriend Brummell. In fact the majority of decoupage enthusiasts attribute the beginning of decoupage to 17th century Venice. Nevertheless information technology was known before this time in Asia.

The well-nigh likely origin of decoupage is idea to be East Siberian funerary art. Nomadic tribes would utilise cut out felts to decorate the tombs of their deceased. From Siberia, the practice came to Red china, and by the 12th century, cut out newspaper was being used to decorate lanterns, windows, boxes and other objects. In the 17th century, Italia, particularly in Venice, was at the forefront of trade with the Far East and it is more often than not thought that information technology is through these merchandise links that the cut out newspaper decorations made their fashion into Europe.

Photomontage [edit]

Collage made from photographs, or parts of photographs, is chosen photomontage. Photomontage is the process (and consequence) of making a composite photograph by cutting and joining a number of other photographs. The blended picture was sometimes photographed so that the final paradigm is converted back into a seamless photographic impress. The same method is achieved today using image-editing software. The technique is referred to by professionals as compositing.

Just what is it that makes today's homes so different, so highly-seasoned? was created in 1956 for the catalogue of the This Is Tomorrow exhibition in London, England in which it was reproduced in black and white. In addition, the slice was used in posters for the exhibit.^[15] Richard Hamilton has subsequently created several works in which he reworked the subject and composition of the pop fine art collage, including a 1992 version featuring a female bodybuilder. Many artists have created derivative works of Hamilton'southward collage. P. C. Helm made a year 2000 interpretation.^[sixteen]

Other methods for combining pictures are as well called photomontage, such as Victorian "combination printing", the printing from more than i negative on a single slice of printing newspaper (e.g. O. Yard. Rejlander, 1857), front-projection and computer montage techniques. Much every bit a collage is composed of multiple facets, artists likewise combine montage techniques. Romare Bearden'due south (1912–1988) series of black and white "photomontage projections" is an instance. His method began with compositions of newspaper, paint, and photographs put on boards eight½ × 11 inches. Bearden fixed the imagery with an emulsion that he and so practical with handroller. Subsequently, he enlarged the collages photographically.

The 19th century tradition of physically joining multiple images into a composite and photographing the results prevailed in press photography and offset lithography until the widespread use of digital image editing. Contemporary photograph editors in magazines now create "paste-ups" digitally.

Creating a photomontage has, for the well-nigh part, go easier with the appearance of computer software such equally Adobe Photoshop, Pixel image editor, and GIMP. These programs make the changes digitally, allowing for faster workflow and more than precise results. They as well mitigate mistakes by assuasive the artist to "undo" errors. However some artists are pushing the boundaries of digital image editing to create extremely fourth dimension-intensive compositions that rival the demands of the traditional arts. The current trend is to create pictures that combine painting,^[17] theatre, illustration and graphics in a seamless photographic whole.

Digital collage [edit]

Digital collage is the technique of using figurer tools in collage creation to encourage gamble associations of disparate visual elements and the subsequent transformation of the visual results through the use of electronic media. Information technology is commonly used in the creation of digital art using programs such equally Photoshop.

Iii-dimensional collage [edit]

A 3D collage is the art of putting altogether three-dimensional objects such as rocks, beads, buttons, coins, or even soil to course a new whole or a new object. Examples can include houses, bead circles, etc.

Mosaic [edit]

It is the art of putting together or assembling of small pieces of paper, tiles, marble, stones, etc. They are often found in cathedrals, churches, temples as a spiritual significance of interior design. Modest pieces, unremarkably roughly quadratic, of rock or glass of different colors, known as tesserae, (atomic tessellae), are used to create a pattern or movie.

eCollage [edit]

The term "eCollage" (electronic Collage) can be used for a collage created past using computer tools.

Collage artists [edit]

• Johannes Baader
• Johannes Theodor Baargeld
• Jeannie Baker
• Nick Bantock
• Hannelore Baron
• Romare Bearden
• April Bey
• Peter Blake
• Guy Bleus
• Umberto Boccioni
• Rita Boley Bolaffio
• Henry Botkin
• Pauline Boty
• Mark Bradford
• Georges Braque
• Alberto Burri
• Claude Cahun
• Reginald Example
• Peter Clarke
• Jess Collins
• Greg Colson
• Felipe Jesus Consalvos
• Joseph Cornell
• Amadeo de Souza Cardoso
• Eric Carle
• Njideka Akunyili Crosby
• Jim Dine
• Burhan Doğançay
• Magie Dominic
• Arthur Chiliad. Dove
• Jean Dubuffet
• Marcel Duchamp
• Lois Ehlert
• Max Ernst
• Nick Gentry
• Terry Gilliam
• Juan Gris
• Olena Golub
• George Grosz
• Raymond Hains
• Kenneth Halliwell
• Richard Hamilton
• Raoul Hausmann
• Damien Hirst
• Hannah Höch
• David Hockney
• Istvan Horkay
• Ray Johnson
• Peter Kennard
• Jiří Kolář
• Lee Krasner
• Barbara Kruger
• Ligel Lambert
• François Lanzi
• John K. Lawson
• Kazimir Malevich
• Conrad Marca-Relli
• Eugene J. Martin
• Henri Matisse
• John McHale
• Robert Motherwell
• Vik Muniz
• Wangechi Mutu
• Joseph Nechvatal
• Louise Nevelson
• Robert Nickle
• Eduardo Paolozzi
• Sergei Parajanov
• Claude Pélieu
• Francis Picabia
• Pablo Picasso
• Carl Plate
• David Plunkert
• Guillem Ramos-Poquí
• David Ratcliff
• Robert Rauschenberg
• Man Ray
• Gordon Rice
• Larry Rivers
• James Rosenquist
• Martha Rosler
• Mimmo Rotella
• Anne Ryan
• Kurt Schwitters
• Winston Smith
• Gino Severini
• Lorna Simpson
• John Stezaker
• Daniel Spoerri
• Francois Szalay - Colos
• Roderick Slater
• Nancy Spero
• Linder Sterling
• Sergei Sviatchenko
• Ivan Tabakovic
• Jonathan Talbot
• Lenore Tawney
• Cecil Touchon
• Scott Treleaven
• Fatimah Tuggar
• Jacques Villeglé
• Kara Walker
• Tom Wesselmann

Gallery [edit]

• 

  Georges Braque, Fruitdish and Glass, 1912, papier collé and charcoal on paper

In other contexts [edit]

In compages [edit]

Though Le Corbusier and other architects used techniques that are akin to collage, collage as a theoretical concept just became widely discussed afterwards the publication of Collage City (1978) by Colin Rowe and Fred Koetter.

Rowe and Koetter were not, however, championing collage in the pictorial sense, much less seeking the types of disruptions of meaning that occur with collage. Instead, they were looking to challenge the uniformity of Modernism and saw collage with its non-linear notion of history as a means to reinvigorate design practice. Not only does historical urban textile have its identify, merely in studying information technology, designers were, so it was hoped, able to get a sense of how meliorate to operate. Rowe was a fellow member of the so-called Texas Rangers, a grouping of architects who taught at the University of Texas for a while. Another fellow member of that group was Bernhard Hoesli, a Swiss architect who went on to get an important educator at the ETH-Zurirch. Whereas for Rowe, collage was more than a metaphor than an bodily practice, Hoesli actively fabricated collages as part of his design process. He was shut to Robert Slutzky, a New York-based artist, and frequently introduced the question of collage and disruption in his studio work.

In music [edit]

The concept of collage has crossed the boundaries of visual arts. In music, with the advances on recording applied science, avant-garde artists started experimenting with cut and pasting since the middle of the twentieth century.

In the 1960s, George Martin created collages of recordings while producing the records of The Beatles. In 1967 pop artist Peter Blake fabricated the collage for the comprehend of the Beatles seminal album Sgt. Pepper's Lonely Hearts Club Ring. In the 1970s and 1980s, the likes of Christian Marclay and the group Negativland reappropriated onetime audio in new ways. By the 1990s and 2000s, with the popularity of the sampler, information technology became apparent that "musical collages" had go the norm for popular music, especially in rap, hip-hop and electronic music.^[18] In 1996, DJ Shadow released the groundbreaking album, Endtroducing....., made entirely of preexisting recorded material mixed together in audible collage. In the same yr, New York Urban center based artist, writer, and musician, Paul D. Miller aka DJ Spooky'south piece of work pushed the work of sampling into a museum and gallery context equally an art practice that combined DJ culture's obsession with archival materials as audio sources on his anthology Songs of a Expressionless Dreamer and in his books Rhythm Science (2004) and Sound Unbound (2008) (MIT Press). In his books, "brew-up" and collage based mixes of authors, artists, and musicians such equally Antonin Artaud, James Joyce, William S. Burroughs, and Raymond Scott were featured as function of a what he chosen "literature of audio." In 2000, The Avalanches released Since I Left You, a musical collage consisting of approximately 3,500 musical sources (i.e., samples).^[nineteen]

In analogy [edit]

Collage is usually used as a technique in children's moving picture book illustration. Eric Carle is a prominent example, using vividly colored hand-textured papers cut to shape and layered together, sometimes embellished with crayon or other marks. Run into paradigm at The Very Hungry Caterpillar.

In artist's books [edit]

Collage is sometimes used lonely or in combination with other techniques in artists' books, particularly in i-off unique books rather than as reproduced images in published books.^[20]

In literature [edit]

Collage novels are books with images selected from other publications and collaged together following a theme or narrative.

The bible of discordianism, the Principia Discordia, is described by its author every bit a literary collage. A collage in literary terms may also refer to a layering of ideas or images.

In fashion design [edit]

Collage is utilized in fashion blueprint in the sketching process, as part of mixed media illustrations, where drawings together with various materials such equally paper, photographs, yarns or fabric bring ideas into designs.

In film [edit]

Collage film is traditionally divers every bit, "A motion-picture show that juxtaposes fictional scenes with footage taken from disparate sources, such as newsreels." Combining different types of footage can have various implications depending on the director'south approach. Collage picture show tin can also refer to the physical collaging of materials onto filmstrips. Canadian filmmaker Arthur Lipsett was especially renowned for his collage films, many of which were made from the cutting room floors of the National Film Board studios.

In post-production [edit]

The utilise of CGI, or computer-generated imagery, can be considered a form of collage, especially when animated graphics are layered over traditional film footage. At certain moments during Amélie (Jean-Pierre Juenet, 2001), the mise en scène takes on a highly fantasized fashion, including fictitious elements like swirling tunnels of color and light. David O. Russell's I Heart Huckabees (2004) incorporates CGI effects to visually demonstrate philosophical theories explained by the existential detectives (played past Lily Tomlin and Dustin Hoffman). In this case, the effects serve to enhance clarity, while adding a surreal aspect to an otherwise realistic film.

Legal issues [edit]

When collage uses existing works, the result is what some copyright scholars call a derivative work. The collage thus has a copyright separate from any copyrights pertaining to the original incorporated works.

Due to redefined and reinterpreted copyright laws, and increased financial interests, some forms of collage art are significantly restricted. For example, in the area of audio collage (such every bit hip hop music), some court rulings effectively have eliminated the de minimis doctrine as a defence to copyright infringement, thus shifting collage practice away from non-permissive uses relying on fair use or de minimis protections, and toward licensing.^[21] Examples of musical collage art that have run afoul of modern copyright are The Grey Anthology and Negativland'due south U2.

The copyright status of visual works is less troubled, although all the same cryptic. For example, some visual collage artists have argued that the offset-sale doctrine protects their work. The get-go-sale doctrine prevents copyright holders from decision-making consumptive uses after the "start sale" of their work, although the Ninth Excursion has held that the commencement-sale doctrine does non use to derivative works.^[22] The de minimis doctrine and the fair use exception also provide important defenses against claimed copyright infringement.^[23] The 2d Circuit in Oct, 2006, held that artist Jeff Koons was not liable for copyright infringement because his incorporation of a photograph into a collage painting was off-white use.^[24]

Come across also [edit]

• Altered book
• Appropriation (fine art)
• Assemblage (art)
• Carte-making
• Computer graphics
• Cut-upward technique
• Décollage
• Détournement
• Illustration
• Mixed media
• Panography
• Newspaper craft
• Pholage
• Photographic mosaic
• Picture books
• Audio collage
• Surrealist techniques
• Texture (painting)

References [edit]

Bibliography [edit]

• Adamowicz, Elza (1998). Surrealist Collage in Text and Image: Dissecting the Exquisite Corpse. Cambridge University Press. ISBN0-521-59204-half-dozen.
• Ruddick Bloom, Susan (2006). Digital Collage and Painting: Using Photoshop and Painter to Create Fine Art. Focal Press. ISBN0-240-80705-seven.
• Museum Factory by Istvan Horkay
• History of Collage Excerpts from Nita Leland and Virginia Lee and from George F. Brommer
• West, Shearer (1996). The Bullfinch Guide to Art . United kingdom: Bloomsbury Publishing. ISBN0-8212-2137-Ten.
• Rowe, Colin; Koetter, Fred (1978). Collage Urban center. Cambridge, Massachusetts: MIT Press. ISBN9780262180863.
• Mark Jarzombek, "Bernhard Hoesli Collages/Civitas", Bernhard Hoesli: Collages, exh. cat., Christina Betanzos Pint, editor (Knoxville: Academy of Tennessee, September 2001), iii-11.
• Taylor, Brandon. Urban walls: a generation of collage in Europe & America: Burhan Dogançay with François Dufrêne, Raymond Hains, Robert Rauschenberg, Mimmo Rotella, Jacques Villeglé, Wolf Vostell. ISBN 9781555952884; OCLC 191318119 (New York: Hudson Hills Press; [Lanham, MD]: Distributed in the United States by National Book Network, 2008)
• Excavations (Ontological Museum Acquisitions) by Richard Misiano-Genovese

Notes [edit]

1. ^ Enslen, Denise. "Origin of the term "collage"". Archived from the original on 2012-04-12.
2. ^ Collage, essay past Clement Greenberg Retrieved July 20, 2010
3. ^ ^{a b c} Leland, Nita; Virginia Lee Williams (September 1994). "One". Creative Collage Techniques. Due north Light Books. p. 7. ISBN0-89134-563-9.
4. ^ "Overview | the Art Institute of Chicago".
5. ^ Art Constitute of Chicago, Playing with Pictures
6. ^ "Playing with Pictures: The Art of Victorian Photocollage, Exhibition, The Met Museum, February ii–May 9, 2010". www.metmuseum.org. 2010. Archived from the original on 2012-01-19. Retrieved 2022-01-17 .
7. ^ "Introduction to collage". Tate Gallery website
8. ^ ^{a b c d} "Guggenheimcollection.org". Archived from the original on 2008-02-xviii. Retrieved 2008-02-09 .
9. ^ ^{a b} "Exploring the Cut-Edge History and Evolution of Collage Art". My Mod Met. 2017-07-14. Retrieved 2021-02-24 .
10. ^ Nature-morte à la chaise cannée Archived 2005-03-05 at the Wayback Car - Musée National Picasso Paris
11. ^ (cf. S. Stealingworth, 1980, p. 31)
12. ^ Kurt-schwitters.org
13. ^ "Louise Nevelson, Sky Cathedral 1958". The Museum of Modernistic Fine art. Retrieved 2019-11-13 .
14. ^ "Sky Cathedral", MoMA Highlights, New York: The Museum of Modernistic Art , revised 2004, originally published 1999, p. 222
15. ^ "This is tomorrow" Archived 2010-01-15 at the Wayback Automobile, thisistomorrow2.com (scroll to "image 027TT-1956.jpg"). Retrieved 27 Baronial 2008.
16. ^ "Merely what is information technology" Archived 2008-xi-21 at the Wayback Motorcar, pchelm.com. Retrieved 27 Baronial 2008.
17. ^ Yuri Rydkin "WITHIN (photo collages)". Sygma . Retrieved 8 Jan 2021. // Foreword: art critic Теймур Даими, photograph artist Василий Ломакин, literary critic Елена Зейферт.
18. ^ Guy Garcia (June 1991). "Play It Again, Sampler". Time. Archived from the original on June viii, 2008. Retrieved 2008-03-27 .
19. ^ Mark Pytlik (November 2006). "The Avalanches". Audio on Sound. Archived from the original on 2012-02-06. Retrieved 2007-06-sixteen .
20. ^ "Wireless Presentation | Technology Services | VCU".
21. ^ Come across Bridgeport Music, 6th Cir.
22. ^ Mirage Editions, Inc. v. Albuquerque A.R.T. Co., 856 F.second 1341 (ninth Cir. 1989)
23. ^ Meet the Off-white Use Network for further explanations.
24. ^ Blanch five. Koons, -- F.3d --, 2006 WL 3040666 (2d Cir. Oct. 26, 2006)

External links [edit]

Expect up collage in Wiktionary, the free lexicon.

Wikimedia Commons has media related to Collage.

• Collageart.org, an all-encompassing website devoted to the art of collage
• Clement Greenberg on collage
• Exhibition of traditional and digital collage past many artists - curated by Jonathan Talbot in 2001
• Cecil Touchon's International Museum of Collage, Aggregation and Construction
• Kolaj magazine, a print magazine about gimmicky collage.
• Artist Deborah Harris "The Process of Collage"
• "5 Polish Collage Artists that Knew How to Put the Pieces Together"

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Source: https://en.wikipedia.org/wiki/Collage

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